Thanos I Barely Even Know You
Review - Eternals: The Heretic #1 proves Curiosity isn't done exploring Thanos
One could almost argue that Thanos is the chief graphic symbol of Kieron Gillen and Esad Ribic'southward recent Eternals saga.
Since their story started in the Eternals series and related specials in 2021, readers have learned about Thanos' heritage as an Eternal, seen how his father split from the Eternals on World, and watched as Thanos has cutting a bloody path back to World to reunite with them. With the release of Eternals: The Heretic, a one-shot follow-upwards to the series, Thanos will have on a new role entirely in his relationship with the Eternals.
Eternals: The Heretic #1 credits
Written by Kieron Gillen
Fine art by Ryan Bodenheim, Edgar Salazar
Colors by Chris O'Halloran
Lettering by Clayton Cowles
On sale March 16
'Rama Rating: 7/10
He'll be their king.
Eternals: The Heretic is written by Gillen and features art by Ryan Bodenheim and Edgar Salazar, colors by Chris O'Halloran, and letters by Clayton Cowles. It finds Thanos in the position of Prime number Eternal, substantially Lord of the Eternals and, by extension, the Earth. Thanos is trying to decide what to do with this power, so he seeks out his grand-uncle Uranos, a kind of proto-Thanos who some may argue is even more than dangerous. Uranos has been imprisoned for 600,000 years, and when Thanos dares to visit and speak with him (Hannibal-Lecter-style), he volition larn why.
Information technology's difficult to create a Curiosity villain that might actually be worse than the Mad Titan, but in Uranos, Gillen may have just achieved this goal. From the moment we encounter him, we know that the brother of Thanos's grandfather Kronos is slightly worse than his grand-nephew.
"Yous killed half the universe, male child," he says upon coming together Thanos, "What a lack of delivery. Practice something or don't." From then on we learn what Uranos did to get him locked away by the Eternals, which has been hinted at merely non explained throughout Gillen/Ribic's run. Nosotros're not going to spoil what that was or how Thanos takes in the information, merely nosotros will say that it makes for a challenge, and forges a relationship that Thanos has never experienced before.
Equally with any Thanos story, in that location'due south going to exist some emphasis on a new and terrible doom that'south headed for the Marvel Universe.
With Thanos equally Prime Eternal, that threat is magnified, and that becomes clear to the reader through the work that colorist Chris O'Halloran has done for the comic book. In that location's a palpable sense of dread that courses through this book, or rather, two senses of dread, dissever between the different characters. Uranos'southward history is told in bleak grays and desert tans, like the color of a postal service-nuclear state of war sky.
Thanos, on the other hand, is constantly surrounded by deepening dejection, like the terminal bits of twilight before full dark. Assigning these colors to the two different big bads of this story non just increases its apocalyptic tension merely too tells the reader something important. That is, just because Thanos and Uranos both have plans for destruction does not mean they're on the same side.
Nonetheless, they practise look similar. In that location's certainly a familial connection. And we can tell that because of the design from artists Ryan Bodenheim and Edgar Salazar. Only similar Gillen'south dialogue tells united states who the character of Uranos is from the moment we run into him, so does his appearance. Uranos sports an alien scar on the correct side of his face, more than cracked stone than torn skin. He wears a minimalized version of Jack Kirby's famous Eternals armor, walking a satisfying line between medieval warlord and conflicting entity.
Other character designs stick pretty close to what Esad Ribic has done with the Eternals bandage, but that's not a bad thing. It might not satisfy fans looking for something new, but it fits perfectly with the remainder of the series.
And speaking of cohesion, it is veteran letterer Clayton Cowles who keeps the story of Eternals: The Heretic together. Cowles creates the dialogue of the "Machine," the AI within Earth's structure that the Eternals must protect and that narrates our story. The Car also provides several pages of purely textual explainers, giving us important backstory and family unit info. There'south a lot of lore that The Heretic is working with, and without Cowles's lettering, a reader might get lost.
Information technology's easy to believe that a character as popular as Thanos has already been fully explored, particularly if you lot know him from his era-defining function in the Curiosity Cinematic Universe. Eternals: The Heretic proves that there is plenty more exploring to be done with the character and that the evil within him truly knows no bounds. Uranos's comment most "doing something" or not might be more than just his mode of belittling Thanos; it might be a prediction of what he does next.
Eternals: The Heretic #1 is on auction on comic shop shelves and digitally March 16th.
Did you know that Marvel'due south Thanos and DC's Darkseid actually fought once ? To find out who won, check out Newsarama'south look back at their encounter.
Source: https://www.gamesradar.com/uk/review-eternals-the-heretic-1-proves-marvel-isnt-done-exploring-thanos/
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